The Republic of Motherhood
by Liz Berry
I crossed the border into the Republic of Motherhood
and found it a queendom, a wild queendom.
I handed over my clothes and took its uniform,
its dressing gown and undergarments, a cardigan
soft as a creature, smelling of birth and milk,
and I lay down in Motherhood’s bed, the bed I had made
but could not sleep in, for I was called at once to work
in the factory of Motherhood. The owl shift,
the graveyard shift. Feedingcleaninglovingfeeding.
I walked home, heartsore, through pale streets,
the coins of Motherhood singing in my pockets.
Then I soaked my spindled bones
in the chill municipal baths of Motherhood,
watching strands of my hair float from my fingers.
Each day I pushed my pram through freeze and blossom
down the wide boulevards of Motherhood
where poplars bent their branches to stroke my brow.
I stood with my sisters in the queues of Motherhood
–
the weighing clinic, the supermarket – waiting
for Motherhood’s bureaucracies to open their doors.
As required, I stood beneath the flag of Motherhood
and opened my mouth although I did not know the anthem.
When darkness fell I pushed my pram home again,
and by lamplight wrote urgent letters of complaint
to the Department of Motherhood but received no response.
I grew sick and was healed in the hospitals of Motherhood
with their long-closed isolation wards
and narrow beds watched over by a fat moon.
The doctors were slender and efficient
and when I was well they gave me my pram again
so I could stare at the daffodils in the parks of Motherhood
while winds pierced my breasts like silver arrows.
In snowfall, I haunted Motherhood’s cemeteries,
the sweet fallen beneath my feet –
Our Lady of the Birth Trauma, Our Lady of Psychosis.
I wanted to speak to them, tell them I understood,
but the words came out scrambled, so I knelt instead
and prayed in the chapel of Motherhood, prayed
for that whole wild fucking queendom,
its sorrow, its unbearable skinless beauty,
and all the souls that were in it. I prayed and prayed
until my voice was a nightcry
and sunlight pixelated my face like a kaleidoscope.
From Grants. Reproduced with kind permission of Granta.
Forward Prizes for Poetry
Winner of Best Single Poem 2018
The Republic of Motherhood
Liz Berry
About Liz Berry
Liz Berry (b. 1980, Black Country) won the Forward Prize for Best Single Poem in 2018 with ‘The Republic of Motherhood’, having previously won Best First Collection in 2014 for her Chatto debut Black Country. ‘Highbury Park’ describes an overgrown park in Birmingham where Berry went on long walks with her newborn son: ‘As the spring came I felt my body being brought slowly back to life by it. I thought often of Highbury’s nighttime lovers (I was the day shift) and how the pleasure of our experiences and longings might intertwine.’
Berry’s advice to poets starting out is to ‘be tough on your poems but kind to yourself… Listen to poems being spoken, let their electricity light you’. Berry’s unforgettable final image of the lover taken by the wind — ‘stripped and blown, / then jilted dazzling in the arms of the trees’ — is surely a prime example of that illuminating electricity.
Forward Prizes History:
- 2019 Forward Prizes for Best Single Poem, shortlisted for ‘Highbury Park’ (Wild Court)
- 2018 Forward Prizes for Best Single Poem, Winner for ‘The Republic of Motherhood’ (Granta)
- 2014 Forward Prizes for Best First Collection, Winner for Black Country (Chatto & Windus)