Joy
by Sasha Dugdale
The walls are wordless. There is a clock ticking.
I have woken up from a dream of abundant colour
and joy
I see his face and he is a shepherd and a piper and
a god
I see him bent by the gate, setting the fire, and he
is a fallen demon
I see him listening to the wind and sorrowing
I see wrath and misery, fire and desolation
A thousand fires in ancient London
And then the grass comes silent silent with the
hardest colour of all
The mirth colour the corn colour the summer
night colour
A thousand thousand summer nights pass
And children weave their daisy chains and place
them on the heads of fallen idols
He wept he wept more tears than there were days
And never changed the door lest, he said, we drive
an angel from it
And every morning he dipped his brush in wrath
and mildness
And out of him tumbled the biggest things of all
All of them righter than the rightest calculation
And truer than any compass
Yet where they were right and true none could say
And how they were right and true none could guess
But I knew I knew
He was an eye, and the eye wept and frowned and
smiled
The eye watched
The eye watered
The world was a mote in that eye
The mote was a world in that eye
And his brush was a blade and his tears made a
Lake.
Pause
Sole partner and sole part of all these joyes he read
to me in the summer house where we sat when Mr
Butts came knocking and found us naked reading
as we read every warm day the poor man liked to
tell that story to everyone as proof of the wildness
of our life though it never did seem wild to me but
consistent in all respects and fill of holy sobriety
which looks to the untrained eye like wild joy
William stood then and made a deep bow to Satan
who had been watching and said you are welcome
to our garden sir
Satan had a round sad face like a waterwheel and
seemed tired and full of pity, he wore his rainbow
snake around him and when he saw we meant him
no harm he bowed and shrivelled to vapour
But Mr Butts came in and ate some grapes
Pause
Have no fear Satan, said William, we will not harm
you
Yet all about us
War drifted from year to year like the seeds of
weeds in autumn
And the looms made sails for warships, and the
furnaces cast cannon balls
Men trained their horses to run towards death
all around us in schools and churches and meeting
halls
corpses marched their filthy regular steps
And men spoke about it and the words themselves
in pain, the words thirsty
For new life, the words wanted mercy
and in the midst of all this clearing in Lambeth
and South Molton Street and Fountain Court and a
torrent of such wrathful innocence pours forth,
such light that the violence staggered, violence fell
back
a spider a worm a beetle could approach it
but violence could not
an ant could find its children by it
but violence could not
And I tended that light
And he was the light
From PN Review. Reproduced with kind permission from PN Review.
Forward Prizes for Poetry
Winner Best Single Poem 2016
Joy
Sasha Dugdale
About Sasha Dugdale
Sasha Dugdale (b 1974, Sussex) is renowned as a translator of poetry, and has published numerous books of poetry and plays translated from the Russian, as well as three collections of her own poetry – most recently Red House (2011). As editor of the acclaimed magazine Modern Poetry in Translation, she is necessarily immersed in world poetry, and writes that ‘I read this work because I need to – it is like a vitamin injection. English suddenly seems bigger and richer and I itch to write again.’
Dugdale recognises that writing can be a matter of ‘tending’ a poem, and notes that ‘tending poetry is still harder for women, who are often juggling jobs and being carers’. This observation gives resonance to the poignant line in her shortlisted poem ‘Joy’, in which Catherine Blake – the recent widow of William – speaks the words ‘I tend the light’. In this very long poem of affection and loss, Dugdale carefully conjures ‘the natural grief of losing a life-partner’, while weighing ‘what it would be like to lose a partner in creativity, in poetry.’