In line at the drugstore…

by Claudia Rankine

In line at the drugstore it’s finally your turn, and then it’s
not as he walks in front of you and puts his things on the
counter. The cashier says, Sir, she was next. When he
turns to you he is truly surprised.

Oh my God, I didn’t see you.

You must be in a hurry, you offer.

No, no, no, I really didn’t see you.

 

From Citizen: An American Lyric. Reproduced with kind permission from Penguin Books.

Forward Prizes for Poetry

Winner Best Collection 2015

Citizen: An American Lyric

Claudia Rankine

Buy the book

About Claudia Rankine

Claudia Rankine (b. 1963, Kingston, Jamaica) began writing poems at Williams College, Massachusetts, after studying the poetry of Adrienne Rich. She wrote about embarking into the places where language failed us. For whatever reason, this seemed like an invitation.

She decided against law school to pursue creative writing: ‘Being a poet seemed like a risky career choice, but it felt like a calling – I didn’t argue.’ Her poetry, plays and criticism have been widely honoured: she is currently a chancellor of the Academy of American Poets and Professor of English at Pomona College, California.

Citizen: An American Lyric (Penguin Books 2015) may seem at first glance to the casual reader not to be poetry at all but a collage of prose, graphic art, photography and scraps of documentary film script. It won the National Book Critics Circle Award for Poetry in America after becoming the first book in the prize’s history to be a finalist in both the poetry and criticism categories, causing considerable confusion to booksellers and librarians along the way.

The form of the collection, she says, is ‘both archival and curatorial’: it came about ‘by asking friends to share their stories regarding interactions with either friends or colleagues.’ She stresses that many of the stories of everyday racism recounted in Citizen are not her own.

On being asked what the nomination for the 2015 Forward Prize for Best Collection means to her, she says: ‘I am filled with gratitude that the concerns of Citizen are being recognized as legacies of our shared postcolonial past.’

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