Eurofighter Typhoon
by Fiona Benson
My daughters are playing outside with plastic hoops;
the elder is trying to hula, over and over –
it falls off her hips, but she keeps trying,
and the younger is watching and giggling,
and they’re happy in the bright afternoon.
I’m indoors at the hob with the door open
so I can see them, because the elder might trip,
and the younger is still a baby and liable to eat dirt,
when out of clear skies a jet comes in low
over the village. At the first muted roar
the elder runs in squealing then stops in the kitchen,
her eyes adjusting to the dimness, looking foolish
and unsure. I drop the spoon and bag of peas
and leave her frightened and tittering, wiping my hands
on my jeans, trying to walk and not run,
because I don’t want to scare the baby
who’s still sat on the patio alone, looking for her sister,
bewildered, trying to figure why she’s gone –
all this in the odd, dead pause of the lag –
then sound catches up with the plane
and now its grey belly’s right over our house
with a metallic, grinding scream
like the sky’s being chainsawed open
and the baby’s face drops to a square of pure fear,
she tips forward and flattens her body on the ground
and presses her face into the concrete slab.
I scoop her up and she presses in shuddering,
screaming her strange, halt pain cry
and it’s all right now I tell her again and again,
but it’s never all right now – Christ have mercy –
my daughter in my arms can’t steady me –
always some woman is running to catch up her children,
we dig them out of the rubble in parts like plaster dolls –
Mary Mother of God have mercy, mercy on us all.
From Vertigo and Ghost. Reproduced with kind permission from Cape Poetry.
Forward Prizes for Poetry
Shortlisted for Best Single Poem 2020
Vertigo & Ghost
Fiona Benson
About Fiona Benson
Fiona Benson (b. 1978, Wroughton) won the Forward Prize for Best Collection in 2019 with Vertigo & Ghost, a collection whose central sequence was an astonishingly vivid reworking of Greek myth. Her forthcoming collection from Cape, Ephemeron, also features a long mythic sequence, from which her shortlisted poem ‘Androgeous’ is drawn. ‘It is a retelling of the minotaur myth, which tries to reinstate Pasiphaë, the minotaur’s mother, at the center of the story’, writes Benson. ‘Androgeus is her firstborn son, who is killed by a bull in mainland Greece.’
‘Androgeous’, and the sequence to which it belongs, were written during the first lockdown in 2020. ‘I thought at the time that I was indulging in a great act of escapism, travelling in my imagination to sundrenched Greece. But looking back at them they are all about being trapped.’
Forward Prizes History:
- 2021 Forward Prize for Best Single Poem, shortlisted for ‘Androgeus’ (Times Literary Supplement)
- 2020 Forward Prize for Best Single Poem, shortlisted for ‘Mama Cockroach, I Love You’ (Poetry London)
- 2019 Forward Prize for Best Collection, Winner for Vertigo & Ghost (Cape)
- 2018 Forward Prize for Best Single Poem, shortlisted for ‘Ruins’ (Wild Court)
- 2014 Felix Dennis Prize for Best First Collection, shortlisted for Bright Travellers (Cape)